Computer Music as a Dispositif- The Compositional Influence of the Dispositif on Electro-Acoustic Works

Abstract The term “dispositif” reflects media from a technological standpoint and the mechanisms of their perception and discourses. When thinking about a computer system, order and rules dictate everything, seen and unseen. The term “dispositif’ originates from film theorist Jean-Louis Baudry, referring to an arrangement or apparatus. Michel Foucault extended the notion of a dispositif … Continue reading Computer Music as a Dispositif- The Compositional Influence of the Dispositif on Electro-Acoustic Works